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The machine-woven rugs produced by the Torah u-mel’aḥah trade school in Jerusalem for export to France were typically red and rectangular (similar to Turkish prayer carpets), and they featured the…
Lot (puru), Assyria, 8th century BCE. The inscription identifies this as a lot (puru—the Akkadian form of Hebrew pur, the word used in Esther 3:7) that belonged to an Assyrian official named Yahalu…
This photograph was made by the young graphic artist and photographer Solomon Yudovin in the context of his participation in Jewish writer, folklorist, and cultural activist S. An-ski’s famed…
The Yiddish-language socialist weekly Der arbayter fraynd (The Worker’s Friend) was founded in London in 1885 by Morris Winchevsky (1856–1932), a political activist and poet originally from Russian…
Illustration from the German translation of Morris Rosenfeld’s Yiddish “sweatshop” poems, Lieder des Ghetto (Songs from the Ghetto). The illustrations in the deluxe book are in the art nouveau style…
This banner of the London Jewish Bakers’ Union calls for (in both English and Yiddish) an eight-hour workday and an end to night work, for people to buy only bread “with the union label,” and for…
Members of the Bund (General Union of Jewish Workers in Lithuania, Poland, and Russia), Po‘ale Tsiyon, the Socialist-Zionist party, and Jewish trade unions, along with representatives of the Russian…
Cover of Dos revolutsiyonere Rusland (Revolutionary Russia), ed. A. Litvak and B. Salutski.
Song without Words, painted in Jaffa ca. 1911–1913. Like many of Jan’s works, this painting is suffused with poetic and atmospheric symbolism. Here, a beautiful young woman with haunted eyes holds a…
This text was produced under Ágai’s pseudonym, Mokany Berczi.
