Showing Results 1 - 10 of 116
Public Access
Image
The photomontages that Benor-Kalter began to make in the 1930s were a departure from his earlier straightforward style and allowed him to use photography to create visual metaphors. Here, a…
Contributor:
Jacob Benor-Kalter
Places:
Mandate Palestine (Israel, Israel)
Date:
1929–1939
Subjects:
Categories:
Restricted
Image
This painting dates to the early years of Walkowitz’s career, when he frequently painted New York cityscapes. Walkowitz’s cubist style was well suited to capturing the skyscrapers, elevated trains…
Contributor:
Abraham Walkowitz
Places:
New York City, United States of America
Date:
1923
Categories:
Public Access
Image
This poster, designed by an unknown artist, presents in a clear, graphic manner the goal of the Soviet campaign to eradicate religious life. The texts in Yiddish emphasize the need to bring an end to…
Contributor:
Artist Unknown
Places:
USSR (Russia)
Date:
1923–1933
Subjects:
Categories:
Restricted
Image
This set design by Emanuele Luzzatti is for a performance of Golem at the Teatro La Pergola in Florence, Italy. Several operas were based on the famous legend about the clay figure, the Golem, brought…
Contributor:
Emanuele Luzzati
Places:
Date:
1969
Categories:
Restricted
Image
This photograph by Moshe Gross is very much in the tradition of Zionist and Israeli iconography, which favored images stressing the heroic aspects of Zionism and the “new Jews” who were building…
Contributor:
Moshe Gross
Places:
Date:
Date unknown, mid-20th century
Subjects:
Categories:
Restricted
Text
For my child, today, it is so easy
to make the awful discovery, that people kill
and are killed: both things and people
speak the language of the red angel.
My child asks me: Why are people being…
Contributor:
Aaron Zeitlin
Places:
Warsaw, General Government for the Occupied Polish Region (Warsaw, Poland)
New York City, United States of America
Date:
1930s
Subjects:
Categories:
Restricted
Text
In history class
I draw a Latin-American moustache
On Titus Aspasianus;
Miriam, who under her flannel shirt
Is beginning to show development,
Is making vulgar contours
Onto the sculpture of his bust…
Contributor:
Haim Be’er
Places:
Date:
1970
Subjects:
Categories:
Restricted
Text
The story of my life is only exceptional in that it represents a great change of identity in the heart of the Jewish people. [ . . . ]
I was born a Jewish Algerian—a French citizen to boot—and during…
Contributor:
Léon Ashkenazi
Places:
Orsay, France
Date:
1967
Subjects:
Categories:
Restricted
Text
The Jewish theme in Ru.Shtetl is a metaphor. The closest mainstream parallel explaining the essence of what Patrick Lisidze conceived of is Siniavskii’s pseudonym, Abram Terts. Terts’s Jewishness was…
Contributor:
Psoy Korolenko
Places:
Moscow, Russia
Date:
2003
Subjects:
Categories:
Restricted
Image
Early in his career, Jacob Meyer de Haan (also known as Isaac Meyer de Haan) was known for his Jewish genre paintings. In this one, painted in 1880 while de Haan still resided in the Netherlands, a…
Contributor:
Jacob Meyer de Haan
Places:
Paris, France
Date:
1889–1892