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The photomontages that Benor-Kalter began to make in the 1930s were a departure from his earlier straightforward style and allowed him to use photography to create visual metaphors. Here, a…
This painting dates to the early years of Walkowitz’s career, when he frequently painted New York cityscapes. Walkowitz’s cubist style was well suited to capturing the skyscrapers, elevated trains…
This poster, designed by an unknown artist, presents in a clear, graphic manner the goal of the Soviet campaign to eradicate religious life. The texts in Yiddish emphasize the need to bring an end to…
This set design by Emanuele Luzzatti is for a performance of Golem at the Teatro La Pergola in Florence, Italy. Several operas were based on the famous legend about the clay figure, the Golem, brought…
This photograph by Moshe Gross is very much in the tradition of Zionist and Israeli iconography, which favored images stressing the heroic aspects of Zionism and the “new Jews” who were building…
For my child, today, it is so easy
to make the awful discovery, that people kill
and are killed: both things and people
speak the language of the red angel.
My child asks me: Why are people being…
The story of my life is only exceptional in that it represents a great change of identity in the heart of the Jewish people. [ . . . ]
I was born a Jewish Algerian—a French citizen to boot—and during…
In history class
I draw a Latin-American moustache
On Titus Aspasianus;
Miriam, who under her flannel shirt
Is beginning to show development,
Is making vulgar contours
Onto the sculpture of his bust…
The Jewish theme in Ru.Shtetl is a metaphor. The closest mainstream parallel explaining the essence of what Patrick Lisidze conceived of is Siniavskii’s pseudonym, Abram Terts. Terts’s Jewishness was…
Mendl said: This city of Kisalon [lit. “Foolsville,” Yid. Glupsk], where I’ll begin my story, is very important, for the entire Jewish Pale of Settlement is named after it. And it is not through…