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Many of the seal impressions, with the inscription lamelekh “(Belonging, or pertaining) to the king,” followed by the name of a city, feature a two-winged figure, probably a winged sun disk…
This and the next several ivories come from the approximately twelve thousand ivory pieces and fragments that were found in the royal compound in the city of Samaria, capital of the Northern Kingdom…
The lotus image on this ivory from Samaria was originally an Egyptian symbol of the life-giving power of the god Ra—experienced through the fragrance of the flower—and of the afterlife.
The photomontages that Benor-Kalter began to make in the 1930s were a departure from his earlier straightforward style and allowed him to use photography to create visual metaphors. Here, a…
Raban was known as a designer, painter, and book illustrator but also designed at least two posters, including this one for the Society for the Promotion of Travel in the Holy Land. The poster’s…
For many years, Amiram Erev worked as a photographer for Solel Boneh, the large Israeli construction company founded by the Histadrut, Israel’s General Federation of Labor. The company played a key…
Engraved tridacna (clam) shells like this one from Arad seem to have been used as cosmetic containers in the Near East and Mediterranean worlds in the late seventh and early sixth centuries BCE. This…
This pastoral painting is typical of the work of Charles Towne. His landscapes were not realistic depictions of actual places, but instead romantic views of idealized scenes. He cited seventeenth…
This photograph by Moshe Gross is very much in the tradition of Zionist and Israeli iconography, which favored images stressing the heroic aspects of Zionism and the “new Jews” who were building…
Anna Ticho’s life work was drawing the landscapes of the Judean Mountains and Jerusalem. In the 1950s, she was able more easily to access these landscapes when she bought a house in Motza, a town on…
