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The top register of this plaque from Hazor depicts a crouching winged sphinx wearing the double crown of Upper and Lower Egypt. The lower register shows two stylized three-tiered palmettes. The…
The image on this coin is the front of a hybrid creature with the body of a winged feline (probably that of a lynx) and the head of a human. The head, crowned, has a beard and horns, representing a…
This coin from Yehud, the Persian name for the province of Judah, is larger and heavier than others like it. The helmeted and bearded male on the front is a deity who is usually, though not…
This photo shows a reconstruction of the cella, or inner sanctum, of the Arad sanctuary as it is thought to have appeared in its last phase. At the rear stands a 35-inch-tall (90 cm) pillar of…
Ben-Dov was the founder of the photography department in the Bezalel School of Arts and Crafts. This photograph of an art student posing as the biblical Ruth is faithful to the Bezalel mission to…
This altar is 21 inches (55 cm) high. Its styling, its square shape, the central band and rim, the groove between them, and the well-defined horns are characteristic of altars from the Northern…
In 1919, when Kramer painted The Day of Atonement, modernist art depicting Jewish rituals was considered new and radical, especially in tradition-bound England. When the Jewish community of Leeds…
This graphic depiction of the Passover song “Had Gadya” (“Tale of a Goat”) juxtaposes the collective memory of the exodus from Egypt with Soviet revolutionary art and politics.
At first Eternal Wanderers seems like an abstract assemblage of colorful shapes. A closer look, however, reveals a group of people, young and old, with mask-like faces, teetering on tilting ground…
The Meeting, Schulz’s only surviving oil painting, obliquely explores a theme he returned to many times in his writing and art, namely, sadomasochism, this time in the context of an encounter between…
