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In 1919, when Kramer painted The Day of Atonement, modernist art depicting Jewish rituals was considered new and radical, especially in tradition-bound England. When the Jewish community of Leeds…
This graphic depiction of the Passover song “Had Gadya” (“Tale of a Goat”) juxtaposes the collective memory of the exodus from Egypt with Soviet revolutionary art and politics.
At first Eternal Wanderers seems like an abstract assemblage of colorful shapes. A closer look, however, reveals a group of people, young and old, with mask-like faces, teetering on tilting ground…
The Meeting, Schulz’s only surviving oil painting, obliquely explores a theme he returned to many times in his writing and art, namely, sadomasochism, this time in the context of an encounter between…
This square altar from Hazor is 12 inches (30 cm) high. The offering surface is recessed, and the upper corners have horns that would have held the offering in place.
Rubin was a member of what is known as the Land of Israel movement, a group of artists who, in the 1920s, broke with the conventions of the Bezalel School of Arts and Crafts. They drew on the ideas…
Several horse figurines have objects on the forehead, like this one. The object may represent the horse’s forelock or mane, or perhaps a decorative ornament. This terra-cotta figurine from the City of…
Since chairs and beds were valuable items and not found in average homes (people usually sat on the floor and slept on mats), it is possible that terra-cotta models like this one from Lachish…
Amulets often took the form of Bes, a minor Egyptian deity, who was understood to guard mothers in childbirth and their babies. Bes is often shown with a feathered headdress and a grotesque face, a…
From Jerusalem, this seal is made of bone. The fish image, a motif known only from Hebrew seals, suggests plenty and fertility (cf. Genesis 48:16) and may also allude to the life-giving nature of…
