Showing Results 1 - 10 of 11
With this collection, we intend to launch a particular trend in Yiddish poetry which has recently emerged in the works of a group of Yiddish poets. We have chosen to call it the Introspective…
[ . . . ] Similarly, the Russian Jews use the traditional rhyming couplet in those verses that chronicle a historical event or inculcate an ethical truth. The real folksongs, however, are set to music…
You wrote on the back page
of my last essay (“Political
Education in The Republic”)
“Good ideas, but style
too literary. Use of images
evades the…
It’s hard to be clever these nights,
And useless to be modern.
Useless to smile knowingly and observe with melancholy
The language bastardisms of history:
“The government of the Republic is delivered…
What I am trying to suggest is that, different as the immediately present objects were in each case, Torah for the Rabbis, Nature for Wordsworth, there existed for the Rabbis and for Wordsworth a…
The real start of the myth of the Jew with the Knife in English literature goes back to the tale, already hundreds of years old, which Chaucer puts into the mouth of his Prioress, a character faintly…
With this number, Di yugend passes into new hands—the hands of its writers.
It is no secret that Yiddish writers, especially young Yiddish writers—and most of the contributors to this monthly journal…
Laboring women, suffering women
Women who languish in factory and home—
Why stand at a distance, why build not our temple
Of humanity’s joy, and of freedom sublime?
Help us to bear the red banner…
As Yiddish poetry grew more modern, even modernistic, as it grew freer in rhythm, subtler in tonality, more artful and sophisticated in imagery, it also grew more Jewish—I was almost going to say more…
Freud says that primal anxiety was toxic, and that the primal limitation was of inspiration. If the anxiety of influence be imaged as a lack of breathing space, then the voluntary limitation that…