Tradition and Revolt in Yiddish Poetry

Abraham Tabachnik

1950

As Yiddish poetry grew more modern, even modernistic, as it grew freer in rhythm, subtler in tonality, more artful and sophisticated in imagery, it also grew more Jewish—I was almost going to say more Hasidic, in the Reb Nachman Bratzlaver sense of the word. The very first revolt in Yiddish poetry, that of the “Yunge,” was expressed in a turning…

Please login or register for free access to Posen Library Already have an account?
Engage with this Source

You may also like