Born in Luxeuil-les-Bains to an Alsatian Jewish family, Jules Adler attended the Parisian Académie Julian and then the École des Beaux-Arts. A naturalist and regional painter who favored humble, compassionate portraits of daily life, Adler created intimate scenes depicting social issues such as poverty, environmental pollution, and human transience, early on favoring working-class struggles. During World War I he painted numerous scenes of people in the countryside. Later, Adler exhibited with a handful of Jewish artists in Palestine and Berlin, one of his few displays of outward attachment to Jewishness.
I love the red and blue electric trains. For twenty-five cents they go from Puente Hierro all the way to Sabana Grande. I notice that some streets have high sidewalks with side rails and stairs at…
Soyer’s informal family portrait, Dancing Lesson, has become an iconic image of the American Jewish experience, appearing on many book covers and exhibition catalogs. It was painted about thirteen…
What we now routinely call klezmer in the United States—“Do you play klezmer?” “There’s a new klezmer album out”—is a truly American construct in three ways: the word sidesteps aesthetic and political…