Born in Warsaw to a house painter, Maurycy (Mojżesz) Trębacz grew up with an interest in painting. With scholarships and the support of patrons, Trębacz studied in Warsaw, Kraków, and Munich, earning awards and accolades for his portraits and landscapes. Working initially in the Polish Romantic-national tradition, he later evolved toward Impressionism. Thematically, he focused on landscape, portraiture, and a mix of biblical and Polish romantic subjects but began to produce contemporary, politically informed depictions of Jewish life and political woe at the turn of the century as he developed Zionist sympathies. Receiving antisemitic criticism for these, Trębacz was motivated to organize Warsaw’s first Jewish art exhibition (1911). He ran a painting school in Łódź from 1918 until it was closed with the Nazi invasion in 1939. He died in the Łódź ghetto.
The 1910s were a time of experimentation for Man Ray. Inspired by the paintings of European modernists at the Armory Show in New York in 1913, he began painting in an abstract style, one that…
An illustration by El Lissitzky from Chaim Nahman Bialik’s Shloyme ha-melekh (King Solomon), from an issue of the Hebrew journal Shtilim (Saplings) that was printed in 1917 in Moscow, two days before…
The very lack of a self-contained territory that has so far disqualified the study of Yiddish from NDEA [the National Defense Education Act] support endows Ashkenazic Jewry with exemplary value for a…