Born in Warsaw to a house painter, Maurycy (Mojżesz) Trębacz grew up with an interest in painting. With scholarships and the support of patrons, Trębacz studied in Warsaw, Kraków, and Munich, earning awards and accolades for his portraits and landscapes. Working initially in the Polish Romantic-national tradition, he later evolved toward Impressionism. Thematically, he focused on landscape, portraiture, and a mix of biblical and Polish romantic subjects but began to produce contemporary, politically informed depictions of Jewish life and political woe at the turn of the century as he developed Zionist sympathies. Receiving antisemitic criticism for these, Trębacz was motivated to organize Warsaw’s first Jewish art exhibition (1911). He ran a painting school in Łódź from 1918 until it was closed with the Nazi invasion in 1939. He died in the Łódź ghetto.
Avigdor Stematsky, a founder of the New Horizons art group, which, beginning in 1942, sought to break away from the artistic conventions established by the Bezalel School of Arts and Crafts, helped…
Jacques Lipchitz created The Prayer in 1943 to express his horror over the mass murder of Jews, which was then underway in Europe, reportedly crying as he made the statue. The central figure in The…
Cover of the souvenir program of the fourth Arbeter Ring (Workmen’s Circle) convention, 1904. The Yiddish banner reads: “We fight sickness, premature death, and capitalism.”