Born in Warsaw to a house painter, Maurycy (Mojżesz) Trębacz grew up with an interest in painting. With scholarships and the support of patrons, Trębacz studied in Warsaw, Kraków, and Munich, earning awards and accolades for his portraits and landscapes. Working initially in the Polish Romantic-national tradition, he later evolved toward Impressionism. Thematically, he focused on landscape, portraiture, and a mix of biblical and Polish romantic subjects but began to produce contemporary, politically informed depictions of Jewish life and political woe at the turn of the century as he developed Zionist sympathies. Receiving antisemitic criticism for these, Trębacz was motivated to organize Warsaw’s first Jewish art exhibition (1911). He ran a painting school in Łódź from 1918 until it was closed with the Nazi invasion in 1939. He died in the Łódź ghetto.
The masterpiece of eighteenth-century Ladino literature is the encyclopedic commentary on the Bible, Me‘am lo‘ez (From a People of Foreign Tongue), by Jacob Huli, the first volume of which was…
These two modern depictions of the Temple built by King Solomon on the Temple Mount in Jerusalem are based on biblical descriptions and pertinent archaeological evidence from other sanctuaries and…
Twenty-three Jews came to America in 1654 and some five million live in the United States today. Though this seems like a long story, it is but a short chapter in the history of Judaism. Anything…