Born in Livorno, Vittorio Matteo Corcos was named for Vittorio Emanuele II, ruler of the newly united Italy. Growing up in an Italian Jewish community that was never constrained to live in a ghetto, Corcos received a grant to leave his studies in Florence for Naples. Financed by King Umberto I, who acquired his L’arabo in preghiera (The Praying Arab, 1880), Corcos moved to Paris and befriended Giuseppe De Nittis, whose salons hosted Manet, Degas, and the art dealer Adolphe Goupil. In 1886, Corcos returned to Florence to serve in the grenadiers, converted to Catholicism, and married. He painted what was considered a scandalous series of portraits of independent, confident women, especially his 1896 Sogni (Dreams), featuring a defiant Elena Vecchi, with whom he was romantically involved. He also painted many society figures, notably Kaiser Wilhelm II (1904), Empress Amélie of Orléans (1905), and Benito Mussolini (1928).
In this detail from a pithos (storage jar) from Kuntillet Ajrud, five people stand with raised forearms (their hands are not depicted). As raised hands usually signify praying, the scene may represent…
This ketubah (marriage contract) from Damascus, signed on the 21st of Shevat 5466, or February 5, 1706, features a text set within an arch, and flanked on both sides and above with green and orange…
Meanwhile Reb Zalman, all undeterred, was arranging a match for Deborah, and one evening he arrived with a brand new proposal, one that was—in these hard modern times—almost too good to…