Born in Livorno, Vittorio Matteo Corcos was named for Vittorio Emanuele II, ruler of the newly united Italy. Growing up in an Italian Jewish community that was never constrained to live in a ghetto, Corcos received a grant to leave his studies in Florence for Naples. Financed by King Umberto I, who acquired his L’arabo in preghiera (The Praying Arab, 1880), Corcos moved to Paris and befriended Giuseppe De Nittis, whose salons hosted Manet, Degas, and the art dealer Adolphe Goupil. In 1886, Corcos returned to Florence to serve in the grenadiers, converted to Catholicism, and married. He painted what was considered a scandalous series of portraits of independent, confident women, especially his 1896 Sogni (Dreams), featuring a defiant Elena Vecchi, with whom he was romantically involved. He also painted many society figures, notably Kaiser Wilhelm II (1904), Empress Amélie of Orléans (1905), and Benito Mussolini (1928).
To perform their work in the workshop for three complete years from the day of their entry, not to cease at all during this tenure, and not to be hired by another artisan, neither as an apprentice nor…
By the mid-1920s, Zadkine had shifted from a purely cubist style to a new approach that drew on African and classical Greek art. His subject matter was often inspired by stories from the Bible and…
Blessed and powerful God, eternally [ . . . ] universal ruler, Lord of Hosts; we have come to beg of you and pray for the safety of the state, as you ordered us through your prophet: “Seek the welfare…