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A retrospective exhibit these last few weeks at the Museum of Modern Art in Paris—perhaps too generously big an undertaking—has allowed a wider public to appreciate the originality and importance of…
In this cubist-influenced self-portrait, the artist has painted herself reflected in a mirror, perhaps a symbol of a divided self. The upturned vessels on the table communicate a sense of upheaval…
The Traveler was painted soon after the Russian Revolution, around the time that Marc Chagall was appointed commissar of the arts for Vitebsk, the site of Yehudah Pen’s academy, where Chagall had…
Still Life with a Picture of Napoleon is one of many still lifes that Dezső Czigány painted. Like many of his other compositions, it demonstrates cubist and fauvist influences. In this picture, the…
Boy Holding a Ball is painted in the fauvist style for which Béla Czóbel was best known. It features the bright colors, flat paint areas, and bold outlines that characterize his early work. Czóbel…
I and the Village combines Marc Chagall’s memories of his childhood in Vitebsk with folklorist and abstract imagery to create what scholar H. W. Janson called a “cubist fairy tale.” The dreamlike…
This eleven-foot-wide painting is of the Bal Bullier dance hall in Paris. It is painted in the style of Simultanisme, a type of painting developed by Sonia Delaunay and her husband Robert Delaunay in…
Late in his career, Guston turned from abstract expressionism to figurative art, creating iconoclastic, allegorical paintings. Moon is a combination of still-life, self-portrait, and landscape. In the…
Calvary was not the first time Marc Chagall portrayed the crucifixion in a painting, and it would not be the last. Chagall saw the crucifixion of Jesus Christ as a symbol of Jewish suffering. In this…
The blue and white abstract shapes in The Mud Bath evoke human figures in motion against a field of red. Are they meant to be people at a public bathhouse? Or are they interpreted that way because the…
