The Bullier Ball (Tango au Bal Bullier)

Born Sara Stern in Odessa, Delaunay was raised in St. Petersburg by well- off and Russified relatives who gave her a cosmopolitan education; she also adopted their family name, Terk, as her own. Delaunay studied at the Academy of Fine Arts in Karlsruhe and the Académie de La Palette in Paris. Thereafter, she made her career largely in Paris, becoming part of the city’s burgeoning modernist scene; one of her most famous works is La Prose du Transsibérien et de la Petite Jehanne de France, an art- book she copro­duced with the French modernist poet Blaise Cendrars in 1913. Delaunay developed an aesthetic marked by the abstraction of sometimes recognizable figures and objects into an armature of geometric forms and vibrant colors— an aesthetic that she would elevate to theoretical principle in the Orphist/Simultanist movement that she cofounded with her husband, the painter Robert Delaunay. She was also a skilled fashion designer, textile designer, and interior decorator who pioneered new forms of integra­tion between furniture, textiles, and painting, and thus between decoration and representation in the arts. In 1964, Delaunay became the only living female artist to have a retrospective exhibit in the Louvre. For her artistic accomplishments, she was awarded membership in the Legion of Honor in 1975.