The Russian Jewish and Soviet painter, theatrical designer, and sculptor Natan Altman was born in Vinnitsa (today, Vinnytsya, Ukraine). He studied in Odessa from 1903 to 1907 and moved to Paris in 1910, before returning to Russia. Like his contemporaries Marc Chagall and El Lissitzky, the young Altman was influenced by cubism and other emerging postrealist and postimpressionist approaches and generally saw himself as part of the general Russian-European art scene. Yet during World War I and the early years of the Russian Revolution, Altman also briefly grew interested in traditional East European Jewish folk art and in the possibility of a modernist Jewish national art. In those years, he produced his most famous sculpture, entitled Head of a Young Jew (Self-Portrait); an emblem in the Jewish folk style for the Hebraist youth publishing house Ahinoar; and abstract constructivist set designs for the burgeoning modernist Yiddish theater. Altman lived abroad from 1928 to 1935, and when he returned to the Soviet Union, he agreed to work in the then-required style of socialist realism.
Head of a Young Jew, Natan Altman’s most famous sculpture, is an expression of his desire to set a new, modern course for Jewish art. The asymmetrical sculpture, a combination of bronze, copper, and…
Ira Jan
It is my task to introduce to the readers of Múlt és Jövő (Past and Future) to an extraordinary Jewish woman, and it is hard to tell whether she is a greater writer or artist. Those who say…
This building, photographed by Liselotte Grschebina, is one of approximately four thousand Bauhaus-style buildings constructed in Tel Aviv, the most of any city in the world. The Nazi Party’s rise to…