The Russian Jewish and Soviet painter, theatrical designer, and sculptor Natan Altman was born in Vinnitsa (today, Vinnytsya, Ukraine). He studied in Odessa from 1903 to 1907 and moved to Paris in 1910, before returning to Russia. Like his contemporaries Marc Chagall and El Lissitzky, the young Altman was influenced by cubism and other emerging postrealist and postimpressionist approaches and generally saw himself as part of the general Russian-European art scene. Yet during World War I and the early years of the Russian Revolution, Altman also briefly grew interested in traditional East European Jewish folk art and in the possibility of a modernist Jewish national art. In those years, he produced his most famous sculpture, entitled Head of a Young Jew (Self-Portrait); an emblem in the Jewish folk style for the Hebraist youth publishing house Ahinoar; and abstract constructivist set designs for the burgeoning modernist Yiddish theater. Altman lived abroad from 1928 to 1935, and when he returned to the Soviet Union, he agreed to work in the then-required style of socialist realism.
Head of a Young Jew, Natan Altman’s most famous sculpture, is an expression of his desire to set a new, modern course for Jewish art. The asymmetrical sculpture, a combination of bronze, copper, and…
In the 1980s, during the AIDS epidemic, Bleckner began creating artworks that explored death, loss, and sadness. His dark and moody canvases included objects, such as urns, vases, and chandeliers…
This basin from Kuntillet Ajrud is much too large to have been used for a practical purpose—it weighs more than 300 pounds (136 kg) and is large enough for two adults to sit in. The inscription…