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New York exemplifies the precisionist, futurist style favored by Lozowick in the 1920s. Like works by other precisionist artists, this lithograph reduces the elements of a cityscape into simple…
Contributor:
Louis Lozowick
Places:
New York City, United States of America
Date:
1925–1926
Categories:
Public Access
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The minimalist aesthetic of the House of the Book, a chapel and conference hall, matches other buildings designed by Eisenshtat, a leading American synagogue architect. While he often favored…
Contributor:
Sidney Eisenshtat
Places:
Brandeis, United States of America
Date:
1973
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Herbert Ferber’s twelve-foot-high sculpture was originally commissioned to adorn the façade of Congregation B’nai Israel in Milburn, New Jersey. Percival Goodman, the new building’s architect…
Contributor:
Herbert Ferber
Places:
New York, United States of America
Date:
1951–1952
Subjects:
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Berman’s best-known work is her Holocaust memorial for the Stroum Jewish Community Center on Mercer Island in Washington State. The twelve-foot-high bronze sculpture consists of stylized Hebrew…
Contributor:
Gizel Berman
Places:
Seattle, United States of America
Date:
1981
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Late in his career, Guston turned from abstract expressionism to figurative art, creating iconoclastic, allegorical paintings. Moon is a combination of still-life, self-portrait, and landscape. In the…
Contributor:
Philip Guston
Places:
New York, United States of America
Date:
1979
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Freed deliberately designed the U.S. Holocaust Memorial Museum to create a sense of disorientation and alienation, even terror, in keeping with the museum’s subject matter. Though it is not based on a…
Contributor:
James Ingo Freed
Places:
Washington, United States of America
Date:
1993
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Like many of Nevelson’s best-known works, End of Day XXXV is made of wood painted a matte black, a color she characterized as “visually weightless.” Many of her sculptures were built from found…
Contributor:
Louise Nevelson
Places:
New York, United States of America
Date:
1973