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The Meeting, Schulz’s only surviving oil painting, obliquely explores a theme he returned to many times in his writing and art, namely, sadomasochism, this time in the context of an encounter between…
The Gerush (Hebrew for “expulsion”) synagogue in Bursa, Turkey, dates back to the early sixteenth century and is unique in its dual-ark design; one upper section is located in the women’s gallery…
Beatriz Mendes Beneviste (Doña Gracia the Younger) was born in 1540 in Antwerp. She was the niece of the wealthy and influential Doña Gracia Nasi. In 1544, the family, New Christians of Portuguese…
Anna Pavlova (1881–1931) in costume for the solo dance The Dying Swan, a role especially created for her, and which she performed an estimated four thousand times. Born in St. Petersburg and brought…
Between 1909 and 1915, Amedeo Modigliani created about twenty-five stone sculptures, using techniques he learned from the modernist sculptor Constantin Brancusi. The sculptures were inspired by…
In 1920 and 1921, Broderzon, the guiding force of Yung-yidish (Young Yiddish), a literary and artistic group he co-founded in Łódź, published over half a dozen books of poetry and plays. Prolific and…
Gross was known for his wooden sculptures and his focus on the human figure. He first studied art on the Lower East Side of Manhattan when he came to the United States and he later taught there at the…
This synagogue, located in Carpentras, in Provence, was built in 1367 but went through serious repairs and was remodeled between 1741 and 1744 by a local civil engineer Antoine D’Allemand, in the…
Program cover of a 1911 performance of the Ballet Russe at the Théâtre du Châtelet in Paris, showing Léon Bakst’s costume design for Narcisse.
Cover of sheet music for “Sadie Salome, Go Home.” Fanny Brice (1891–1951) was born Fania Borach in New York City to immigrants from Hungary and Alsace respectively. Getting her break in entertainment…
