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Glicenstein depicted the Jewish Messiah as a semi-nude figure in the classical style, with bowed head and tethered to his seat. It received early recognition, admired by Rodin and praised in the…
Contributor:
Henryk Glicenstein
Places:
Warsaw, Russian Empire (Warsaw, Poland)
Date:
ca. 1911
Subjects:
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Public Access
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The [Babylonian] Talmud in tractate Sanhedrin [109b] brings a statement that when a stranger came to the city of Sodom, he would be placed on a bed. Someone who was taller than the bed would have his…
Contributor:
Yitsḥak Morganstern
Places:
Sokolov, Russian Empire (Sokolov, Czech Republic)
Date:
1918
Subjects:
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In 1919, when Kramer painted The Day of Atonement, modernist art depicting Jewish rituals was considered new and radical, especially in tradition-bound England. When the Jewish community of Leeds…
Contributor:
Jacob Kramer
Places:
Leeds, United States of America
Date:
1919
Subjects:
Categories:
Public Access
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Frenkel, whose work was shaped by the School of Paris (École de Paris), played a key role in bringing modernism to Israeli art. Among his students were prominent members of what is known as the Land…
Contributor:
Yitshak Frenkel (Alexandre Frenkel-Frenel)
Places:
Paris, France
Date:
1920