Born in Turek in the Russian Empire, Henryk (Enrico) Glicenstein was introduced to sculpture early in his life; his father was a tombstone mason. Glicenstein received a yeshiva education but then worked at a handful of trades in Kalish county before arriving in Łódź, where he gravitated toward Leopold Pilichowski and Samuel Hirszenberg, eventually marrying the latter’s daughter. In 1889, Glicenstein enrolled at the Royal Bavarian Academy of Art and the Glyptothek sculpting school, living at the home of Munich’s chief rabbi Joseph Perles. Glicenstein was awarded a Prix de Rome scholarship for his Arion (1895), prompting him to move to Rome, where he assumed the name Enrico and became an Italian citizen and nationally lauded sculptor. He lived and worked throughout Europe, but in 1928 he was compelled to flee to the United States when he would not join the Italian Fascist Party. His son Emanuel became a successful mural artist.
Pissarro inhabited the French countryside villages of Pontoise and Eragny and was a keen observer of rural life. His dignified depictions of peasant labor and sociability, such as this lively poultry…
The 1910s were a time of experimentation for Man Ray. Inspired by the paintings of European modernists at the Armory Show in New York in 1913, he began painting in an abstract style, one that…
By the 1920s, Montparnasse artist Chana Orloff was a popular portrait sculptor. Showing the influences of cubism and classical and “primitive” art, her flowing, smooth-surfaced sculptures in wood or…