Born in Turek in the Russian Empire, Henryk (Enrico) Glicenstein was introduced to sculpture early in his life; his father was a tombstone mason. Glicenstein received a yeshiva education but then worked at a handful of trades in Kalish county before arriving in Łódź, where he gravitated toward Leopold Pilichowski and Samuel Hirszenberg, eventually marrying the latter’s daughter. In 1889, Glicenstein enrolled at the Royal Bavarian Academy of Art and the Glyptothek sculpting school, living at the home of Munich’s chief rabbi Joseph Perles. Glicenstein was awarded a Prix de Rome scholarship for his Arion (1895), prompting him to move to Rome, where he assumed the name Enrico and became an Italian citizen and nationally lauded sculptor. He lived and worked throughout Europe, but in 1928 he was compelled to flee to the United States when he would not join the Italian Fascist Party. His son Emanuel became a successful mural artist.
Adam Muszka likely painted this scene from memory. As a child, he had attended cheder, a traditional Jewish elementary school, in his native Piotrków Trybunalski, a Polish town of about 51,000…
The wilderness is not just a desert through which we wandered for forty years. It is a way of being. A place that demands being open to the flow of life around you. A place that demands being…
1. A head of household, student, or youth—be he local or a foreigner, whether he eats for free, or pays for his food—may not wear a camisol [vest] of gold cloth or brocade with…