Léon Bakst was born Leyb Rosenberg in Grodno in the Russian Empire (today in Belarus) into a middle-class Jewish family. He studied painting at the St. Petersburg Academy of Fine Arts but was dismissed when he depicted the mother of Jesus as a Jewish peasant. Meeting Sergei Diaghilev in 1898 while cofounding the Russian art-nouveau World of Art movement (Mir Iskusstva) proved a fortuitous encounter, as Bakst came to design sets and costumes for many of Diaghilev’s Ballets Russes performances in Paris. His revolutionary approach to ballet combined Russian folklore, an exuberant and often gaudy display of color, and geometric patterns that simultaneously hid and accentuated the dancers’ bodies. His style, based on art-nouveau principles, became known as Bakstian orientalism.
Glicenstein depicted the Jewish Messiah as a semi-nude figure in the classical style, with bowed head and tethered to his seat. It received early recognition, admired by Rodin and praised in the…
This graphic depiction of the Passover song “Had Gadya” (“Tale of a Goat”) juxtaposes the collective memory of the exodus from Egypt with Soviet revolutionary art and politics.