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This spoon from Hazor has a wide handle intricately incised on its front with a sequence of palmettes curving upward instead of the more common downward-turning volutes. The spoon’s use is unclear. It…
This piece from Samaria shows lotus shoots sprouting from the base of each palmette, with alternating open and closed blossoms. The repetition of the images is characteristic of the art of this period…
Rosettes like the one on this piece from Samaria were common floral decorative motifs in ancient Near Eastern art.
Ben-Zvi’s early paintings focused on ecology and nature. He often depicted human and ecological disasters, calling attention to the fragility of human and animal life. The birds and insects featured…
Bezem (d. 2018)’s art, which once gave expression to his immigration to Palestine, the loss of his parents in the Holocaust, and his sense of rebirth in Israel, was dramatically transformed after his…
Many of the seal impressions, with the inscription lamelekh “(Belonging, or pertaining) to the king,” followed by the name of a city, feature a two-winged figure, probably a winged sun disk…
This and the next several ivories come from the approximately twelve thousand ivory pieces and fragments that were found in the royal compound in the city of Samaria, capital of the Northern Kingdom…
The lotus image on this ivory from Samaria was originally an Egyptian symbol of the life-giving power of the god Ra—experienced through the fragrance of the flower—and of the afterlife.
The photomontages that Benor-Kalter began to make in the 1930s were a departure from his earlier straightforward style and allowed him to use photography to create visual metaphors. Here, a…
For many years, Amiram Erev worked as a photographer for Solel Boneh, the large Israeli construction company founded by the Histadrut, Israel’s General Federation of Labor. The company played a key…
