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By the mid-1920s, Zadkine had shifted from a purely cubist style to a new approach that drew on African and classical Greek art. His subject matter was often inspired by stories from the Bible and…
The Linnaeusstraat synagogue was built in the expressionist style of the Amsterdam School, a movement that flourished from 1910 to about 1930, which favored brick construction and copious decoration…
This 21-inch-high (54 cm) stand was made in the ajouré (open-spaced) style and finished to look like bronze. In the bottom register, a nude female with raised arms (a fertility goddess?) touches the…
Architect Ignaz Reiser won a contest to design this ceremonial hall for the New Jewish Cemetery in Vienna. Construction began there in 1926. The most prominent feature of the building was its dome, an…
In the wake of the Russian Revolution and the lifting of restrictions on Jewish publishing, Jewish theater companies revolutionized theater and scene design and experimented with modernist approaches…
Painting in an expressionist style, Tofel was involved in the Jewish Art Center in New York (1925–1927) that held exhibitions on Yiddish culture. He was also active in a group of American Yiddish…
The chalice, covered with red slip (a thin mixture of red clay and water), consists of a tall, hollow stand and a separate bowl; both parts are decorated with downturned petals. Together they stand…
This bucolic, and clearly romantic, scene of a humble home in a shtetl or village is characteristic of Pen’s style and subject matter. Best known as a painter of everyday Jewish life, he was the…
Mané-Katz was a prominent member of the School of Paris (École de Paris), a group of young artists, many of whom were Jews from Eastern and Central Europe. Mané-Katz painted in a modernist style but…
In The Costume Party, George Segal switched from making all white sculptures to using colors. The six figures—Anthony and Cleopatra, Superman, Pussy Galore, Catwoman, and Bottom from Shakespeare’s…
