Hannelore Baron fled Germany with her family in 1938 after Kristallnacht and settled in the United States. She started her career painting in the style of Abstract Expressionism, but in 1958 began to create collages and box constructions out of found materials such as scraps of fabric, wood, string, and discarded print fragments. Her work drew upon her own experiences, historical and current events, and Native American art, African art, and Persian miniatures. Though she rarely exhibited during her lifetime, Baron’s work is found in collections including the Whitney Museum of American Art, the Art Institute of Chicago, the Solomon R. Guggenheim Museum, and the Israel Museum.
Behind him, a short distance to the right, he had noticed a stranger—give a skeleton a couple of pounds—loitering near a bronze statue on a stone pedestal of the heavy-dugged Etruscan wolf suckling…
In one of her early photography projects, Rovner took Polaroids of an abandoned Bedouin shack in the desert and reprinted them in different ways. Here the shack appears blurred, ghostly, as if seen…
Before World War I, Bomberg depicted the East End of London, where he had grown up, as a site of immigrant vitality. After a harrowing experience in the trenches and difficulties after the war…