Moroccan-born artist Pinchas Cohen Gan immigrated to Israel in 1949 and studied at the Bezalel Academy of Art and Design, and later at the Central School of Art in London, Hebrew University, and Columbia University. During the 1970s, he focused on performance-based installations, but later returned to painting and drawing. Cohen Gan has destroyed many of the estimated 120,000 images he has produced over his career (in one notorious incident, he dumped his paintings into the Hudson River). He is the recipient of the Dizengoff Prize (1995) and the Israel Prize for Painting (2008).
The Meeting, Schulz’s only surviving oil painting, obliquely explores a theme he returned to many times in his writing and art, namely, sadomasochism, this time in the context of an encounter between…
This elaborately decorated title page is from a book of Psalms created by the scribe Nathan ben Samson in Gross Meseritsch, Moravia (today Velké Meziříčí, Czech Republic). On the left is Aaron in his…
In 1829, German Jewish metallurgist Lewis Feuchtwanger attempted to introduce a metal alloy known as “German silver” into U.S. coinage, promoting this nickel silver as a less-expensive alternative for…