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Drawing of the Lebanon War
Pinchas Cohen Gan
1982
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Moroccan-born artist Pinchas Cohen Gan immigrated to Israel in 1949 and studied at the Bezalel Academy of Art and Design, and later at the Central School of Art in London, Hebrew University, and Columbia University. During the 1970s, he focused on performance-based installations, but later returned to painting and drawing. Cohen Gan has destroyed many of the estimated 120,000 images he has produced over his career (in one notorious incident, he dumped his paintings into the Hudson River). He is the recipient of the Dizengoff Prize (1995) and the Israel Prize for Painting (2008).
Laurence’s Tefillin questions both western art and patriarchal aspects of Judaism. The triptych portrays parts of women’s naked bodies, bound in the leather straps of tefillin, the small black leather…
War is the continuation of politics,
and South Lebanon is the continuation of Upper Galilee:
Therefore it’s all too natural for a state
to wage war in Lebanon.
Youth is the continuation of…
What more can I add? Will I tell my readers about the disreputable attributes that prevail among those coming from exile, about gratuitous hatred, discord, vain squabbles over a place in the synagogue…