In his time, Napoleon Sarony was considered one of the world’s greatest portrait photographers. He specialized in portraits of actors, which he mass produced as cheap cartes-de-visite, and other types of cards. Their popularity with the public reflected the new interest in theater and celebrity that emerged in America after the Civil War. Sarony, born in Canada, began his career in New York as a lithographer but, at a time when the art of photography was still very new, went to Europe for training. He established his first studio in New York City in 1866, but in only a few years was able to open a larger studio in the city’s Union Square.
The novelty in Jewish performing arts in the later eighteenth and early nineteenth centuries involved the adaptation of traditional materials into new forms, as well as a turn to performing arts that were unconnected to religious life.
Napoleon Sarony took this photograph of Alla Nazimova in the English-language performance of Ibsen’s Hedda Gabler. Alla Nazimova (1879–1945) was born Mariam Edez Adelaida Leventon in Yalta, Crimea, to…
Like the golden bangles on the arms of a Bedouin woman, the hills of Gilboa bind their bracelets about the valley of Jezreel in the golden hours of late Adar evenings. Then do the women go down to…
This letter hailing Shabbetai Tzvi as the Messiah was signed by twenty-four prominent members of the Amsterdam Jewish community who had founded a learned society, Yeshuot Meshiho, in his honor. It was…