Anton Raphael Mengs, son of Ismael Israel Mengs (1688–1764), a Dresden court painter who had converted to Protestantism, was a pioneer of the neoclassical style. In his time, he was celebrated as the greatest living painter. Among Mengs’s most notable works are the ceiling fresco Parnassus with Apollo and the Muses (1759) in the Villa Albani in Rome and the frescoes he painted for Charles III at the Palacio Real in Madrid (1762–1769 and 1774–1775). Mengs published a number of volumes on art, including the influential handbook for painters Thoughts on Beauty and Taste in Painting (1762).
All over the world, Jewish art reflected the hybrid nature of Jewishness, including the material circumstances and cultural milieu of the larger environment. Individual artisans and artists selected and created according to their personal and Jewish experiences.
Isabel María Parreño Arce y Valdés (1759–1822), the Marquesa de Llano, had her portrait painted by Anton Raphael Mengs, in Parma, Italy, where her husband was the ambassador from Spain. At the time…
This illustration depicting Jews baking matzah and cleaning the house for Passover appeared in the book Jüdisches Ceremoniel (Jewish Ceremonial Customs), by Paul Christian Kirchner, a Jewish convert…
The plot of Israel Zangwill’s 1908 play The Melting Pot described the love of a Jewish musician and composer for the Christian daughter of a Russian antisemite as epitomizing the promise of America…