The Travelers
Marie-Louise von Motesiczky
1940
In The Travelers, one of a series of “Mother Paintings,” Marie-Louise Motesiczky depicts herself and her mother, Henrietta (the white-haired woman at right), escaping from Nazi-occupied Austria. Motesiczky was also known for her many self-portraits. Here she is represented by the naked woman in the center and/or the woman gazing at herself in the mirror. The style of the painting shows the influence of Motesiczky’s teacher, Max Beckmann (1884–1950).
Credits
Published in: The Posen Library of Jewish Culture and Civilization, vol. 9.
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Creator Bio
Marie-Louise von Motesiczky
Born to a cultured and aristocratic family in Vienna, the painter Marie-Louise von Motesiczky began taking art classes at a young age, attended several art schools, and studied with the painter Max Beckmann. Von Motesiczky and her mother fled Austria in 1938, seeking refuge in Holland before settling in England. The artist continued painting throughout the war, having her first solo exhibition at The Hague in 1939. Throughout a successful career that spanned seven decades, von Motesiczky created numerous realist portraits, including a series on her increasingly frail mother with whom she shared a close, lifelong friendship. In the 1950s and 1960s, her work moved beyond the realist style that had long defined it. A major solo exhibition at London’s Goethe Institute in 1985 marked the culmination of her long and prolific artistic career.
Related Guide
Visual and Material Culture in the Mid-Twentieth Century
Jewish visual art flourished and diversified in the postwar period, reflecting the social and political transformations taking place in the world.
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