The photographer Liselotte Grschebina was born in Karlsruhe, Germany. She and her husband settled in Tel Aviv in 1934. From the 1930s to the 1950s, she took photographs for WIZO, the Palestine Railways, the dairy cooperative Tnuva, kibbutzim, and various businesses. Her work was innovative and startling, portraying subjects through surprising vantage points, strong diagonals, and the play of light and shadow, techniques she had learned in Weimar Germany during the early-twentieth-century revolution in photographic art.
This photograph of a discus thrower refers to the Zionist idea of “muscular Judaism,” in which the “new” Jew would celebrate and cultivate the body, sports, and physical fitness. When Grschebina…
This watercolor sketch of uprooted Jews arriving in the Warsaw Ghetto was one of many artworks Rynecki made while incarcerated there. Before the war, many of his paintings documented the vibrancy of…
The title of this etching comes from the inscription that appears on the lower left. The picture depicts a Hasidic Jew in Jerusalem praying at the Western Wall, the remnant of the Second Temple that…