Brooklyn-born N. Jay Jaffee began taking photographs after returning to New York from army service after World War II. He studied at the Photo League and was mentored by Edward Steichen, then curator of photography at the Museum of Modern Art, who was responsible for the first appearance of Jaffee’s work in a group show, 51 American Photographers (Museum of Modern Art, 1950). Since then, his work has been in numerous exhibitions, including Inward Image at the Brooklyn Museum of Art (1981). His photographs are found in the collections of the Library of Congress, the National Museum of American Art, the George Eastman House, and other museums.
One of the causes of the failings in the lives of the young workers [in Palestine] is certainly the lack of family life. Here, too, there is room for observation. Here we have a phenomenon that is not…
I and the Village combines Marc Chagall’s memories of his childhood in Vitebsk with folklorist and abstract imagery to create what scholar H. W. Janson called a “cubist fairy tale.” The dreamlike…
Simmons is best known for artworks in which she stages dolls, plastic figurines, and other inanimate objects in tableaus and then photographs them. In 1987, she began to use wooden ventriloquists’…