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On this clay plaque from Dan, from the Late Bronze (Canaanite) period, a man is playing a lute while dancing. The position of the performer’s legs shows that he is doing a lively dance.
Places:
Dan, Land of Israel (Tel Dan, Israel)
Date:
Late Bronze Age, 16th–13th Century BCE
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Score of “Le Grand Pas” from the ballet Paquita, which premiered in Paris in 1846 and which, in adapted form, became a mainstay of classical ballet.
Contributor:
Aloysius Minkus
Places:
St. Petersburg, Russian Empire (St Petersburg, Russia)
Date:
1881
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Verse 1Sadie Cohen left her happy homeTo become an actress lady,On the stage she soon became the rage,As the only real Salomy baby.When she came to town, her sweetheart MoseBrought for her around a…
Contributor:
Irving Berlin, Fanny Brice, Edgar Leslie
Places:
New York City, United States of America (New York, United States of America)
Date:
1909
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“Miss Duncan? The dancer? What is that—ballet?” No, it is not ballet. Missing here are the two predominant elements that make up modern ballet: there is neither dance technique nor women wearing…
Contributor:
Arkadii Georgevich Gornfeld
Places:
St. Petersburg, Russian Empire (St Petersburg, Russia)
Date:
1905
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Bronze bowl with musicians, Cyprus, late 9th or early 8th century BCE. The engraved scene shows musicians and dancers. In this bronze bowl, five inches in diameter, three female musicians are playing…
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Date:
Iron Age II, Late 9th–Early 8th Century BCE
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Cover of sheet music for “Sadie Salome, Go Home.” Fanny Brice (1891–1951) was born Fania Borach in New York City to immigrants from Hungary and Alsace respectively. Getting her break in entertainment…
Contributor:
Edgar Leslie, Irving Berlin, Artist Unknown
Date:
1909