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In the 1940s and 1950s, Endre Bálint’s paintings began to feature mythological and fantastical symbols and figures, in a style sometimes reminiscent of Hungarian folk art and archaic art. In…
The title of Masterpiece offers an ironic commentary on the career of its rising star artist, Roy Lichtenstein. It features a blonde woman and “Brad,” a recurring character in Lichtenstein’s comic…
Gigantomachy I belongs to a series of paintings Leon Golub made in the 1960s and early 1970s named for a mythological battle between Olympian gods and a race of giants. The monumentally large mural…
Elaine Lustig Cohen designed this catalog cover for the Jewish Museum in New York’s exhibition, Primary Structures: Younger American and British Sculptors at a time when she was developing a bold new…
In the 1960s, Oscar Rabin began to incorporate everyday objects, such as the newspaper seen here, into his paintings. He also added sand into his work, sometimes blending paint and sand together. This…
This set design by Emanuele Luzzatti is for a performance of Golem at the Teatro La Pergola in Florence, Italy. Several operas were based on the famous legend about the clay figure, the Golem, brought…
Moses Feigin painted both realist and abstract paintings, sometimes mixing both styles in one painting. In the late 1960s, he became fascinated by the world of the carnival, seemingly evoked by the…
Codex Artaud VII is one of a series of thirty-four scrolls that Nancy Spero based on the writings of Antonin Artaud, a writer and theater director famous for conceptualizing the “Theatre of Cruelty.”…
Anna Ticho’s life work was drawing the landscapes of the Judean Mountains and Jerusalem. In the 1950s, she was able more easily to access these landscapes when she bought a house in Motza, a town on…
A retrospective exhibit these last few weeks at the Museum of Modern Art in Paris—perhaps too generously big an undertaking—has allowed a wider public to appreciate the originality and importance of…
