Born to Sephardic parents in the Caribbean colony of St. Thomas, Abraham Jacob Pizzaro led a peripatetic life from a young age, with stints in France and Venezuela. Reaching Paris in the mid-nineteenth century, he styled himself Camille Pissarro. In 1855, he left for Paris, where he studied at the École des Beaux-Arts and began exhibiting in the Salon in 1859. In the 1870s, Pissarro helped give form to what became known as the Impressionist movement; he was the only artist who showed in all the group’s eight exhibitions, from 1874 to 1886. He gained fame particularly for his luminous landscapes and cityscapes, although he also painted human figures.
Pissarro's work reflects his embrace of the rural countryside and its peasants as a space of warmth, natural beauty, and harmony (plein air was in vogue then), and he rejected as dark and malevolent the forces of industrialization and capitalism. Although not directly present in his paintings, Pissarro’s Jewish origins and family circles remained a presence throughout his life. The schools and salons judged his work on its merits and accepted him without any distinction from the others. Yet he was sometimes teased for his Jewishness, called Abraham or Moses because of his hair and beard.
This gravestone in the oldest Jewish cemetery in the Netherlands (est. 1614), that of the Spanish and Portuguese Jewish Community of Amsterdam, is inscribed in memory of Mordechai Franco Mendes (d…
Found in Jerusalem in the plaza of the Western Wall and possibly made of limestone, the top register of this seal contains a garland of four pomegranates, one of which was damaged when the seal was…