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Like most of Henry Valensi’s other “Symphony” paintings, Symphonie Vitale does not refer to a specific piece of music, but instead reflects the principles of Musicalism, the art movement founded by…
Contributor:
Henry Valensi
Places:
Paris, France
Date:
1952
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Helen Frankenthaler’s approach to painting forged a new direction for modern art. She developed a technique in which thinned oil paint seeped directly into the canvas, staining the fabric and yielding…
Contributor:
Helen Frankenthaler
Places:
New York, United States of America
Date:
1957
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Tzadik is one of a series of paintings that Morris Louis made in the years 1954 to 1958, known as the Veils. These were groundbreaking works that serve as a link between abstract expressionism and…
Contributor:
Morris Louis
Places:
Washington, United States of America
Date:
1958
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In the 1940s and 1950s, Endre Bálint’s paintings began to feature mythological and fantastical symbols and figures, in a style sometimes reminiscent of Hungarian folk art and archaic art. In…
Contributor:
Endre Bálint
Places:
Paris, France
Date:
1959
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Elaine Lustig Cohen designed this catalog cover for the Jewish Museum in New York’s exhibition, Primary Structures: Younger American and British Sculptors, at a time when she was developing a bold new…
Contributor:
Elaine Lustig Cohen
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Date:
1966
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A retrospective exhibit these last few weeks at the Museum of Modern Art in Paris—perhaps too generously big an undertaking—has allowed a wider public to appreciate the originality and importance of…
Contributor:
Édouard Roditi
Places:
Date:
1963
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Pissarro inhabited the French countryside villages of Pontoise and Eragny and was a keen observer of rural life. His dignified depictions of peasant labor and sociability, such as this lively poultry…
Contributor:
Camille Pissarro
Places:
Paris, France
Date:
1885
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At first Eternal Wanderers seems like an abstract assemblage of colorful shapes. A closer look, however, reveals a group of people, young and old, with mask-like faces, teetering on tilting ground…
Contributor:
Lasar Segall
Places:
Dresden, Weimar Republic (Dresden, Germany)
Date:
1919
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The Meeting, Schulz’s only surviving oil painting, obliquely explores a theme he returned to many times in his writing and art, namely, sadomasochism, this time in the context of an encounter between…
Contributor:
Bruno Schulz
Places:
Drohobych, Second Polish Republic (Drohobych, Ukraine)
Date:
1920
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The title of this painting, La Kahena, alludes to a seventh-century military Berber queen who opposed the Arab conquest of North Africa. Legend has it that she was Jewish and also a sorceress. The…
Contributor:
Jean-Michel Atlan
Places:
Paris, France
Date:
1958