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If Not, Not is one of Kitaj’s best-known works. Inspired by T. S. Eliot’s poem, "The Waste Land" (the poet is depicted at bottom left), it portrays a chaotic landscape, storm-swept and strewn with…
Jacob’s Ladder, painted by Grobman after immigrating to Israel, continues the artistic approach he formulated in the 1960s in the Soviet Union—i.e., “magical symbolism,” which used mystical imagery…
Jacob Teixeira was born in Amsterdam in 1724 to Judith Nunes Henriques (b. Amsterdam, 1703–1732) and Joseph Teixeira (b. London, 1699–1775), who descended from the wealthy Portuguese Teixeira family…
The sunset grew bold: it insisted on staying
In the Red Sea at night, when the innocent pink
Young fawns delicately make their way
Downhill to the palace of water to drink.
They leave their silken…
The Jews in the Warsaw ghetto were tormented; they experienced terrible things. But from time to time they also experienced fine and wonderful things. They suffered. But they also loved. Except that…
But Heinrich Heine—even the aesthetes who are rescuing his immortality in an island publishing house (these gloriously impractical minds whose cerebral wrinkles trail away into ornament) have nothing…
Cover of Sikhes-khulin: Eyne fun di geshikhtn (Small Talk, or, The Legend of Prague) by Moyshe Broderzon, with illustrations by El Lissitzky. The book is an example of a new modernist style that…
This late seventeenth-century manuscript contains a full copy of the text of the Ardashīr-nāmah (The Tale of Esther), an epic poem by the fourteenth-century Jewish Persian writer Shāhīn-i Shīrāzī…
