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[ . . . ] I have striven to transmit exactly the course of thought, the spirit, and the expressions of the [original] text; thus, you have before you not a “reworking” but a true translation.I have…
In the wake of the Russian Revolution and the lifting of restrictions on Jewish publishing, Jewish theater companies revolutionized theater and scene design and experimented with modernist approaches…
Morning flew by in the usual way,
Up and down streets, it raced,
Unwinding the spring of an ongoing watch
That the night would wind up again.
A coat was fastened over the chest
With a clasp and a…
Cover of Sikhes-khulin: Eyne fun di geshikhtn (Small Talk, or, The Legend of Prague) by Moyshe Broderzon, with illustrations by El Lissitzky. The book is an example of a new modernist style that…
The Russian Revolution initially lifted restrictions on Jewish publishing, sparking a burst of creativity among Jewish writers and artists. Jewish theater companies experimented with modernist…
Dear Reader!
We are placing in your hands this first number of Sovetish heymland [Soviet Homeland]. In it you will feel the breath of our times. You will receive news of literary life and hear the…
We all recognize the tragic aspects of the Diaspora and we cannot hope to achieve in the Diaspora as full and complete national-cultural development as is possible for a nation living in its own…
The Jewish theme in Ru.Shtetl is a metaphor. The closest mainstream parallel explaining the essence of what Patrick Lisidze conceived of is Siniavskii’s pseudonym, Abram Terts. Terts’s Jewishness was…
Subscription for the Year 1903 to the First Daily Zhargon (Yiddish) Newspaper in Russia, Der frayndPublished in Saint Petersburg by Sh. Ginsburg and Sh. Rapaport [S. An-ski]
The Jewish intelligentsia, the Jewish art patrons showed no sign of attention to Yiddish theater. A sickly weakling, it was born in southern Russia forty years ago, and has remained anemic and weak to…