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This goblet-shaped cosmetic container of white limestone is from Hazor. The footed base, midsection with festoon pattern, and deep bowl with upper frieze of alternating checkerboard pattern form three…
It is not enough to see a statue. A statue has to be sensed with the fingertips. In our imagination we touch the statue, caress it, examine its rounded and hollow surfaces, and by doing so our sense…
I am exceedingly green: chill green.
What have I to do
with all the greenishness of chance?
I am the green-source, the green-self,
one and incomparable.
Sheep and rams frequently appear in the sculptures of Kadishman, a legacy of time spent as a shepherd in his youth. Sacrifice of Isaac is a reimagining of the biblical story of the Akedah, in which…
Ninio’s art focuses on putting everyday objects into new contexts, which change their original functions, posing questions about the nature of their reality, by opening them up to new relationships…
Ben-Zvi’s early paintings focused on ecology and nature. He often depicted human and ecological disasters, calling attention to the fragility of human and animal life. The birds and insects featured…
The Great Vehicle is one of dozens of wheeled sculptures Rantzer created for “The Zionists,” his 2001 solo exhibition at the Gordon Gallery in Tel Aviv. The overall themes of the show were migration…
An artist with political and social axes to grind, Garbuz created two images from acrylic, pencils, and spray paint on plywood with the title Bad Waters. Three different scenes are portrayed in this…
In Love Dub, small figures climb up the walls of the gallery wearing flipper-like footwear. A similar image was replicated in a tattoo, shown in a photograph as part of the installation. Katzenstein…
Bezem (d. 2018)’s art, which once gave expression to his immigration to Palestine, the loss of his parents in the Holocaust, and his sense of rebirth in Israel, was dramatically transformed after his…
