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This seal from Tel Dan, made of red limestone, shows a driver and two other people in a horse-drawn Assyrian-style chariot. Chariot scenes, uncommon in Israel, are frequent in Assyrian and Egyptian…
This and the next several ivories come from the approximately twelve thousand ivory pieces and fragments that were found in the royal compound in the city of Samaria, capital of the Northern Kingdom…
The lotus image on this ivory from Samaria was originally an Egyptian symbol of the life-giving power of the god Ra—experienced through the fragrance of the flower—and of the afterlife.
The battle between a wild bull and a lion, which are among the most powerful animals, is a common theme in ancient Near Eastern art. In this panel from Samaria, the lion’s claws are embedded in the…
Sphinxes are among the most ubiquitous images on Iron Age Levantine ivories. The sphinx combines the features of several animals; it has the head of a human, the wings of an eagle, and the body of a…
Nocturne was painted after Marcel Janco and his family moved to Palestine. Showing two men ministering to a mortally wounded soldier, surrounded by weeping, lamenting figures, the painting creates a…
Arthur Kolnik dedicated his illustrations of Y. L. Peretz’s story, “A gilgl fun a nign” (The Transmigration of a Melody), to his brother, who, along with his family, was murdered in the Holocaust…
The focus of this photograph is the rank-and-file participants at a socialist May Day rally, rather than the politicians delivering the speeches. Members of the Photo League maintained that it was the…
Dream No. 1: Electrical Appliances for the Home is one of a series of photomontages that Grete Stern produced from 1948 to 1951. They appeared in an Argentinian women’s magazine illustrating a weekly…
Louis Stettner took this picture on his way back to the United States, after spending several years in Paris studying photography and exhibiting his work. The man and two children on the deck of a…
