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Elaine Lustig Cohen designed this catalog cover for the Jewish Museum in New York’s exhibition, Primary Structures: Younger American and British Sculptors at a time when she was developing a bold new…
In the 1960s, Oscar Rabin began to incorporate everyday objects, such as the newspaper seen here, into his paintings. He also added sand into his work, sometimes blending paint and sand together. This…
This set design by Emanuele Luzzatti is for a performance of Golem at the Teatro La Pergola in Florence, Italy. Several operas were based on the famous legend about the clay figure, the Golem, brought…
Moses Feigin painted both realist and abstract paintings, sometimes mixing both styles in one painting. In the late 1960s, he became fascinated by the world of the carnival, seemingly evoked by the…
Codex Artaud VII is one of a series of thirty-four scrolls that Nancy Spero based on the writings of Antonin Artaud, a writer and theater director famous for conceptualizing the “Theatre of Cruelty.”…
Alfred Bernheim’s intimate portrait of Hannah Arendt portrays her as casual and self-confident, lounging on a couch and smoking a cigarette. Arendt was one of the most famous intellectuals of the…
This photograph by Moshe Gross is very much in the tradition of Zionist and Israeli iconography, which favored images stressing the heroic aspects of Zionism and the “new Jews” who were building…
Anna Ticho’s life work was drawing the landscapes of the Judean Mountains and Jerusalem. In the 1950s, she was able more easily to access these landscapes when she bought a house in Motza, a town on…
The events of 1968 therefore came as a shock to me. [ . . . ]
One could of course continue to claim that it was not the people but only those horrible communists, those monstrous rulers, who with…
The voices of thousands of people floated to us on the quay. They were singing “Hatikvah,” the Hebrew hymn of hope. It was the song the Jews sang at every emergency and in every crisis. It was their…