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Let us begin with the most basic questions: Can oral traditions of music constitute a reliable source for historical research? While this question is applicable to most music…
Contributor:
Edwin Seroussi
Places:
Ramat Gan, Israel
Date:
1996
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“Practically everyone has seen the prize-winning musical about the lovable people in that little village in Old Russia called Anetevka [sic]. Well, as far as we’re concerned, ‘Fiddler’ made a goof!” M…
Contributor:
Barbara Kirshenblatt-Gimblett
Places:
New York, United States of America
Date:
2001
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What we now routinely call klezmer in the United States—“Do you play klezmer?” “There’s a new klezmer album out”—is a truly American construct in three ways: the word sidesteps aesthetic and political…
Contributor:
Mark Slobin
Places:
Middletown, United States of America
Date:
2002
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The first issue that should have occurred to a European-born, reality-sensitive composer upon immigration to the Land of Israel is: Is the musical…
Contributor:
Alexander Uriah Boskowicz
Places:
Tel Aviv, Israel
Date:
1953