Showing Results 1 - 10 of 10
This is the title page of Me‘on ha-sho’alim (L’abitacolo degli oranti; Abode of the Supplicants), by the poet and translator Devorà Ascarelli, a member of the Catalan community in Rome. Me‘on ha-sho…
Salamone de Rossi (1570–1630), composer, singer, violinist, and musician in the Gonzaga court in Mantua, is best known for his introduction of polyphony into synagogue music. Composer Samuel Naumbourg…
The first edition of Baal T’fillah was published in 1871. A compendium of over 1,500 Jewish traditional melodies, according to the traditions of German, Polish, and Portuguese (Sephardic) Jews, the…
According to the colophon, the scribe in Prague who produced the Klausen Book of Psalms, Shabbetai Sheftel ben Zalman Auerbach (d. 1738), was descended from a family expelled from Vienna in 1669/70…
This setting for Psalm 92 is one example of the innovative music composed by Louis Lewandowski, Samuel Naumbourg, and Salomon Sulzer (1804–1890) for the synagogues of the new Reform movement. Their…
Jacob’s Ladder, painted by Grobman after immigrating to Israel, continues the artistic approach he formulated in the 1960s in the Soviet Union—i.e., “magical symbolism,” which used mystical imagery…
Jacob Teixeira was born in Amsterdam in 1724 to Judith Nunes Henriques (b. Amsterdam, 1703–1732) and Joseph Teixeira (b. London, 1699–1775), who descended from the wealthy Portuguese Teixeira family…
Song at the Sea (Exodus 15), Leningrad Codex, 1009 CE. The photo shows the first fourteen verses of the poem (Exodus 15:1–14) and a few prose verses from the end of the preceding chapter. The text of…
Song of Moses (Deuteronomy 32), Aleppo Codex, ca. 925 CE. The photo shows the beginning of the poem (Deuteronomy 32:1–14) and the prose verses from the end of the preceding chapter. The text of the…
The Harrison Miscellany is an early eighteenth-century codex of sixty leaves featuring delicate gouache illustrations and Hebrew texts. Each illustration (likely executed by a Venetian, non-Jewish…
