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Iofin’s portrait of his parents, painted before his emigration from the Soviet Union, was a sly protest against Socialist Realism. He painted in the style but parodied it by overloading his picture…
Contributor:
Michael Iofin
Places:
St. Petersburg, USSR (St. Petersburg, Russia)
Date:
1984
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Solomon Mikhoels (1890–1948), a Yiddish actor, director of the Moscow State Yiddish Theater (GOSET), and later chair of the Soviet Jewish Anti-Fascist Committee, was an iconic figure of Soviet Jewish…
Contributor:
Natan Altman
Places:
Moscow, USSR (Moscow, Russia)
Date:
1927
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The Traveler was painted soon after the Russian Revolution, around the time that Marc Chagall was appointed commissar of the arts for Vitebsk, the site of Yehudah Pen’s academy, where Chagall had…
Contributor:
Marc Chagall
Places:
Moscow, Russian Empire (Moscow, Russia)
Date:
1917
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The title of this painting, Flight into Egypt, refers to the story in the Christian Gospels in which Joseph and Mary flee with the infant Jesus to Egypt to escape the wrath of King Herod. Rabin, born…
Contributor:
Oscar Rabin
Places:
Moscow, USSR (Moscow, Russia)
Date:
1976
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Leonid Pasternak painted young men of the Moscow intelligentsia in student accommodations engaged in an evening study session fueled by tobacco and tea, with a bed depicted on the left and a samovar…
Contributor:
Leonid Pasternak
Places:
Moscow, Russian Empire (Moscow, Russia)
Date:
1895
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Bulatov created many paintings that paired nature scenes with Soviet slogans, suggesting the pervasiveness of the Soviet regime, extending to every corner of its citizens’ lives. Here, in Trademark…
Contributor:
Eric Bulatov
Places:
Moscow, USSR (Moscow, Russia)
Date:
1986
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Above Eternal Peace is Isaak Levitan’s most famous painting, a revered example of the “mood landscapes” popular in Russia at the end of the nineteenth century. The artist painted the view from a cliff…
Contributor:
Isaak Levitan
Places:
Vyshniy Volochëk, Russian Empire (Vyshny Volochyok, Russia)
Date:
1894
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In this cubist-influenced self-portrait, the artist has painted herself reflected in a mirror, perhaps a symbol of a divided self. The upturned vessels on the table communicate a sense of upheaval…
Contributor:
Sofia Dymshits-Tolstaya
Places:
Moscow, Russian Empire (Moscow, Russia)
Date:
1915