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The Bah (Bayit Hadash) was asked concerning the practice in synagogues of using music which is sung in the houses of worship (of non-Jews). It is only forbidden regarding…
This setting for Psalm 92 is one example of the innovative music composed by Louis Lewandowski, Samuel Naumbourg, and Salomon Sulzer (1804–1890) for the synagogues of the new Reform movement. Their…
For decades, my efforts have been directed at purifying the old modes [die alten Weisen]. Through [general] use and arbitrary treatment they have suffered tactless changes and distortions. I…
The music for “Se’u She‘arim (Lift Up Your Heads, O Gates)” resembles the choral marches found in grand opera. The words are from Psalm 24: O gates, lift up your heads! Up high, you everlasting doors…
Salamone de Rossi (1570–1630), composer, singer, violinist, and musician in the Gonzaga court in Mantua, is best known for his introduction of polyphony into synagogue music. Composer Samuel Naumbourg…
The first edition of Baal T’fillah was published in 1871. A compendium of over 1,500 Jewish traditional melodies, according to the traditions of German, Polish, and Portuguese (Sephardic) Jews, the…
Aggudat Shirim (Collection of Songs) was one of several collections of synagogue music published by Samuel Naumbourg between 1847 and 1874. It included a scholarly article about Jewish music.
In this table, giving the notation for chanting the Torah, the musical notes indicate the melody of each cantillation mark, while the Hebrew words below them indicate the name and shape of the mark.
Charles-Valentin Alkan was the first composer to incorporate Jewish melodies in art music. His “Ancienne melodie de la synagogue,” a prelude for solo piano or organ, was published in 1847, along with…
The manuscript is believed to be the earliest extant Reform Jewish liturgical composition. An early example of the work of Giacomo Meyerbeer, “Hallelujah” was probably prepared for use at a service at…
