Showing Results 1 - 10 of 19
Public Access
Text
These are the words of the covenant as a statute for Jacob, as an everlasting covenant for Israel; the Almighty spoke but once—and He will never alter His law—through the Torah and the ruling which…
Contributor:
Bet Din of Hamburg
Places:
Altona, Denmark (Altona, Germany)
Date:
1819
Subjects:
Categories:
Public Access
Text
These program notes were prepared for the Radical New Jewish music performances which were part of the ART PROJEKT Festival held in Munich in September of 1992.American New Music has always been noted…
Contributor:
John Zorn, Marc Ribot
Places:
New York, United States of America
Date:
1992
Subjects:
Categories:
Restricted
Text
Let us begin with the most basic questions: Can oral traditions of music constitute a reliable source for historical research? While this question is applicable to most music…
Contributor:
Edwin Seroussi
Places:
Ramat Gan, Israel
Date:
1996
Subjects:
Categories:
Restricted
Text
“Practically everyone has seen the prize-winning musical about the lovable people in that little village in Old Russia called Anetevka [sic]. Well, as far as we’re concerned, ‘Fiddler’ made a goof!” M…
Contributor:
Barbara Kirshenblatt-Gimblett
Places:
New York, United States of America
Date:
2001
Subjects:
Categories:
Public Access
Text
The distinction between religious and secular music is not universally admitted. There is a considerable group of people, some of them very learned in the art and science of sound, who claim that…
Contributor:
Joseph Reider
Places:
Philadelphia, United States of America
Date:
1918
Subjects:
Categories:
Public Access
Text
Many skeptics have denied the existence of Jewish music. Some lump it together with Oriental music; others refuse to admit its independence a priori, by virtue of the nomadic fate of the Jews, who…
Contributor:
Society for Jewish Folk Music
Places:
Moscow, Russian Empire (Moscow, Russia)
Date:
1913
Subjects:
Categories:
Public Access
Text
Mr. Engel concludes that the music to my songs is not folk, because, in his opinion, it includes the rhythms of waltz music and mazurkas, and these dance rhythms are used even in the cases where I…
Contributor:
Mark Varshavsky
Places:
Kiev, Russian Empire (Kyiv, Ukraine)
Date:
1901
Subjects:
Categories:
Public Access
Text
Better still than this is that they should recite the “Verses of Praise,” Yigdal and Adon Olam, and the other exalted prayers on Sabbaths and festivals to the accompaniment of the harp and the sound…
Contributor:
Aaron Chorin
Places:
Arad, Austrian Empire (Arad, Romania)
Date:
1818
Subjects:
Categories:
Restricted
Text
What we now routinely call klezmer in the United States—“Do you play klezmer?” “There’s a new klezmer album out”—is a truly American construct in three ways: the word sidesteps aesthetic and political…
Contributor:
Mark Slobin
Places:
Middletown, United States of America
Date:
2002
Subjects:
Categories:
Public Access
Text
There is no need to provide evidence concerning the great value of folk songs when one wishes to study the history of a people—any people—and all it has undergone. Alongside the history books of each…
Contributor:
Shaul Ginsburg, Peysakh Marek
Places:
Russian Empire (Russia, Russia)
Date:
1898