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Weber was one of the few American modernists to paint religious subjects. He painted Sabbath around the time he became associated with a group of American Yiddish writers called Di yunge (The Young…
The violence of the Passover song “Had Gadya” (“Who Knows One”) clearly spoke to this illustrator’s sense of horror following World War I.
Albatros, a journal of literature and graphic art, debuted in Warsaw in 1922 and published its final two issues in Berlin. The journal was edited by the Hebrew-Yiddish poet Uri Zvi Greenberg and…
Steps at the rear of this burial chamber in the St. Étienne cemetery lead up to a second, inner one, with rock-cut, tub-shaped burial places, perhaps intended for important members of the families who…
In this terra-cotta plaque figurine from Tell Beit Mirsim, 6 inches (15 cm) high, the pregnant woman’s arms cradle her belly and her navel and genitalia protrude. Incisions indicate the eyes, the hair…
Terra-cotta pillar figurines are found throughout the biblical territory of Judah and date to the eighth to seventh centuries BCE. Most were decorated with a white background layer and one or more…
In this terra-cotta figurine from Beersheba, 5.5 inches (14 cm) high, the face is made by pinching the clay to draw out the nose, thereby forming the eye sockets. The nose has a beak-like appearance…
This terra-cotta figurine from Lachish is very schematic, and the rider’s legs are not shown. The rider cannot represent an average person because people—even kings—more often rode on donkeys and…
In this terra-cotta dove figurine from Beth Shemesh, 4 inches (10 cm) long, care was taken with the shape of the head and body and in showing the tail by painted lines. Yet there are no feet and the…
This faience amulet from Lachish depicts the Egyptian goddess Isis sitting on a throne and holding her son, the god Horus, on her lap, a common artistic motif in Egyptian amulets. The legs are broken…
