Showing Results 1 - 10 of 11
Dream No. 1: Electrical Appliances for the Home is one of a series of photomontages that Grete Stern produced from 1948 to 1951. They appeared in an Argentinian women’s magazine illustrating a weekly…
Helen Frankenthaler’s approach to painting forged a new direction for modern art. She developed a technique in which thinned oil paint seeped directly into the canvas, staining the fabric and yielding…
Pissarro inhabited the French countryside villages of Pontoise and Eragny and was a keen observer of rural life. His dignified depictions of peasant labor and sociability, such as this lively poultry…
The Meeting, Schulz’s only surviving oil painting, obliquely explores a theme he returned to many times in his writing and art, namely, sadomasochism, this time in the context of an encounter between…
By the 1920s, the Montparnasse artist Chana Orloff was a popular portrait sculptor, inspired by cubism and classical and “primitive” art. Her flowing, smooth-surfaced sculptures in wood or bronze…
Between 1909 and 1915, Amedeo Modigliani created about twenty-five stone sculptures, using techniques he learned from the modernist sculptor Constantin Brancusi. The sculptures were inspired by…
Weber was one of the few American modernists to paint religious subjects. He painted Sabbath around the time he became associated with a group of American Yiddish writers called Di yunge (The Young…
David Yakerson’s Adam and Eve dates from a time before his turn to the much more abstract style of suprematism. In this illustration, Adam and Eve blend in with other decorative elements in a…
By the 1920s, Montparnasse artist Chana Orloff was a popular portrait sculptor. Showing the influences of cubism and classical and “primitive” art, her flowing, smooth-surfaced sculptures in wood or…
By the mid-1920s, Zadkine had shifted from a purely cubist style to a new approach that drew on African and classical Greek art. His subject matter was often inspired by stories from the Bible and…
