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Mathias Goeritz began his Messages series in the late 1950s and continued adding to it until the end of his career. He set out to create a modernist religious art. Works in the series often referred…
Rythme coloré (Colored Rhythm) embodies the concept of Simultanisme, a style developed by Sonia Delaunay and her husband Robert Delaunay in the 1910s. Simultanisme (also known as Orphism) was based on…
Like many of Nevelson’s best-known works, End of Day XXXV is made of wood painted a matte black, a color she characterized as “visually weightless.” Many of her sculptures were built from found…
Tumarkin’s Holocaust and Revival Monument is a large, inverted pyramid balanced on its point, originally made of corten (or, weathered) steel and glass. (Its glass panels were removed a few years…
Glid’s memorial for the Jews of Salonika, Greece who were murdered in the Holocaust is modeled on Menorah in Flames, his 1990 monument for the murdered Jews of Belgrade, Yugoslavia. Both depict a tree…
I and the Village combines Marc Chagall’s memories of his childhood in Vitebsk with folklorist and abstract imagery to create what scholar H. W. Janson called a “cubist fairy tale.” The dreamlike…
The woman depicted in Amazone is believed to be Natalie Clifford Barney (1876–1972), an American writer, lesbian, and feminist who hosted a literary salon in Paris. She was one of several women whom…
This eleven-foot-wide painting is of the Bal Bullier dance hall in Paris. It is painted in the style of Simultanisme, a type of painting developed by Sonia Delaunay and her husband Robert Delaunay in…
The Church of St. Elizabeth, located in Bratislava (today in Slovakia), was designed by Ödön Lechner in the Hungarian Secession (art nouveau) style. It is called the Blue Church because of its blue…
In Alexander Tyshler’s illustration for a Yiddish version of the Sleeping Beauty story, characters seated around a table are packed together like puzzle pieces, enclosed in a rectangular shape from…
