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The empty chair was a recurrent image in the work of Israeli artists. Because of its associations with the (fallen) throne of the biblical King David, it was sometimes used to represent a fallen…
Green on the Outside, Red on the Inside was rejected by the Venezuelan government as a contribution to the 1995 Venice Biennale. The installation consisted of a small building, resembling the majority…
The “Cellules,” or Cells, were six tiny all-white living spaces that Absalon planned to install in Tokyo, Paris, Zurich, New York, Tel Aviv, and Frankfurt. He intended to live in them, so they were…
In Love Dub, small figures climb up the walls of the gallery wearing flipper-like footwear. A similar image was replicated in a tattoo, shown in a photograph as part of the installation. Katzenstein…
