Absalon was the name adopted by Israeli artist Eshel Meir upon his arrival in Paris in the late 1980s. His “cellules,” life-sized architectural models made of wood and painted white, were designed as both sculptures and living-pods. Six of these were exhibited at the Musée d’Art Moderne in Paris shortly before Absalon’s untimely death at the age of twenty-nine. His work has been exhibited posthumously in Europe, the United States, and Turkey and is found in the Tate Modern, Daimler Modern, and other public collections.
This photo shows a reconstruction of the cella, or inner sanctum, of the Arad sanctuary as it is thought to have appeared in its last phase. At the rear stands a 35-inch-tall (90 cm) pillar of…
The ketubah is a religious and legal contract of marriage. Traditionally, it outlines the conjugal and economic conditions of a marriage and is written in Aramaic. This printed ketubah created by…