Absalon was the name adopted by Israeli artist Eshel Meir upon his arrival in Paris in the late 1980s. His “cellules,” life-sized architectural models made of wood and painted white, were designed as both sculptures and living-pods. Six of these were exhibited at the Musée d’Art Moderne in Paris shortly before Absalon’s untimely death at the age of twenty-nine. His work has been exhibited posthumously in Europe, the United States, and Turkey and is found in the Tate Modern, Daimler Modern, and other public collections.
I. W. Loewenbach’s medal commemorating the dedication of the new synagogue in Munich (1826) is among the earliest German synagogue medals. On one side of the medal, one sees the façade of the…
This Jewish woman of the Ottoman Empire wears a blue jacket over a black blouse, with red shoes and a tall hat draped in a veil. The title “Dona Ebrea in casa” translates to "Jewish woman at home."
Once this was the heart of Warsaw—this labyrinth of sad narrow streets between tall tenement houses. Now this is a remote place, an ancient tumor on the body of the modern city, where its blood flows…