Showing Results 1 - 10 of 10
Józef Awin’s reconstruction of the synagogue in the Old Cemetery of Lwów/L’viv, featured here, reflects his clean geometricity and appreciation for Galician wooden synagogue architecture. The cemetery…
Illustrated folk depiction of the story of Purim by Moshe Mizrachi (Jerusalem: Monsohn, 1902). The top panels depict the villain of the story, Haman, leading the hero Mordechai on a horse and the…
Rachel Bernstein-Wischnitzer’s cover design for Istoria evreiskago naroda (History of the Jewish People) features a title with dramatically stylized letters and a gold and black pattern that evokes…
Grininke beymelekh (Little Green Trees), no. 1 (Vilna: B. A. Kletzkin, 1914.) The title of this Yiddish children’s journal, the first of the genre to appear regularly, was drawn from the Yiddish poem…
Yehudah Pen painted this portrait of Marc Chagall soon after Chagall returned to Vitebsk from Paris in order to marry his sweetheart, Bella. While he was there, World War I broke out, and Chagall was…
Joseph Barsky’s design for the Herzliya Gymnasium, established in 1905 as the first Hebrew high school in Palestine, was adapted from Charles Chipiez’s and Georges Perrot’s understanding of…
Saul Tchernichovski (1875–1943) is considered one of the great modern Hebrew poets. His poems are part of the canon of Israeli literature, and his portrait appears on Israeli currency. Pasternak…
The Jewish Publication Society of America (JPS) was founded in Philadelphia in 1888. (It had a number of precursors that did not last.) Today, JPS is the oldest nonprofit, nondenominational publisher…
Cover of sheet music for “Hatikvoh” (The Hope) and “Dort vu die tseder” (There Where the Cedars Are). “Hatikvoh,” or “Hatikvah,” is based on Naftali Hertz Imber’s poem, “Tikvatenu” (Our Hope), first…
Mr. Engel concludes that the music to my songs is not folk, because, in his opinion, it includes the rhythms of waltz music and mazurkas, and these dance rhythms are used even in the cases where I…
