Showing Results 1 - 9 of 9
The three art nouveau-influenced covers by Ber Kratko for three of Y. L. Peretz’s plays feature somewhat grotesque figures. The one for Vos in fidele shtekt (What Sticks in the Fiddle) features a…
Purim plays (Purim shpiln, in Yiddish), sometimes also called Esther plays, have been known since the fifteenth century in both Ashkenazic and Sephardic communities. These folk plays were performed on…
One Who Is Rebellious:To obey commandments of which merely the ear is aware,Yet remain deaf to urges that shake the whole being;To regard as good the former,Which reveal the soul so as to abandon it…
Flyer for Bar Giora, an adaptation of Friedrich Schiller’s Wilhelm Tell by David Yellin, organized by drama class participants from the Moriah School. Students performed the play several times during…
The Jewish intelligentsia, the Jewish art patrons showed no sign of attention to Yiddish theater. A sickly weakling, it was born in southern Russia forty years ago, and has remained anemic and weak to…
The Readers Digest Magazine broke the American silence attending the massacre of the Jews in February, 1943. It printed my article called “Remember Us,” based on Dr. [Hayim] Greenberg’s data. Reading…
The audience at the first formal performance by the Habima theater troupe in 1918. This set of short plays, Neshef bereshit (A Festival of Our Beginning), was performed in the Moscow Art Theatre under…
This scene is from the 1917 Vilna Troupe production of Fishl Bimko’s Ganovim (Robbers), featuring, from left to right, Morris Tarlov, Avrom Teytlboym, Herts Grosbard, Luba Kadison, and Noyekh Nakhbush…
A Portuguese-language advertisement for February 5–6, 1915, performances in Rio de Janeiro, Brazil, of the Grande Companhia Israelita’s adaptation of Tolstoy’s novella The Kreuzer Sonata.
