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By the 1920s, Montparnasse artist Chana Orloff was a popular portrait sculptor. Showing the influences of cubism and classical and “primitive” art, her flowing, smooth-surfaced sculptures in wood or…
By the mid-1920s, Zadkine had shifted from a purely cubist style to a new approach that drew on African and classical Greek art. His subject matter was often inspired by stories from the Bible and…
In The Costume Party, George Segal switched from making all white sculptures to using colors. The six figures—Anthony and Cleopatra, Superman, Pussy Galore, Catwoman, and Bottom from Shakespeare’s…
Chariots trampling enemies and burning city in drawing of late 8th century BCE Assyrian relief in Sargon’s palace in Khorsabad, Iraq. One of Sargon’s horse-drawn chariots, its driver holding a whip…
The young couple depicted here are in the act of embracing one another, their cheeks touching. They are one of the best-known examples of Georg Ehrlich’s representational bronze sculptures, which…
Mathias Goeritz began his Messages series in the late 1950s and continued adding to it until the end of his career. He set out to create a modernist religious art. Works in the series often referred…
The six men from Lachish in this section of Sennacherib's palace relief are dressed quite differently from the men shown in other sections. They are clad in the simplest of short-sleeved, unbelted…
William Zorach created Spirit of the Sea at the request of the City of Bath, which wanted a fountain for a city park. The sculpture is similar to others in his oeuvre in that it consists of a figure…
Few works by Louise Nevelson allude to Jewish themes. Homage to the Six Million is one of the exceptions. She said of her sculpture that she hoped it would create “a living presence of a people who…
Janco and the subject of this portrait, poet Tristan Tzara (1896–1963), played leading roles in creating the Dada movement in Zurich, Switzerland, during World War I. Janco made several masks that…
