Amalia Moscovitz was born in Budapest and raised primarily on the estate of her affluent, assimilated family in Alsókörtvélyes (today Hrušov, Slovakia). Anna Lesznai—her artistic pseudonym—became active in Budapest’s avant-garde salons as a teenager. She wove her many different media—painting, poetry, illustration, scholarship, folktales, and Hungarian embroidery (himzés)—into a coherent artistic-intellectual modernist aesthetic. In 1939, Lesznai fled Hungary for America, with her soon-to-be (third) husband, Tibor Gergely. There she taught pedagogical and applied arts at Wellesley College and elsewhere.
For four hours I sat engrossed while old Gershon Falk told his story, feeling all the while as though I were listening to a fantastic saga—as though I were in the presence of one from another time…
I thought of the beautiful angel in the picture that had hung over our bed before the war. Her giant wings hovering over, almost enveloping two children crossing a bridge over a ravine. Please make my…