Amalia Moscovitz was born in Budapest and raised primarily on the estate of her affluent, assimilated family in Alsókörtvélyes (today Hrušov, Slovakia). Anna Lesznai—her artistic pseudonym—became active in Budapest’s avant-garde salons as a teenager. She wove her many different media—painting, poetry, illustration, scholarship, folktales, and Hungarian embroidery (himzés)—into a coherent artistic-intellectual modernist aesthetic. In 1939, Lesznai fled Hungary for America, with her soon-to-be (third) husband, Tibor Gergely. There she taught pedagogical and applied arts at Wellesley College and elsewhere.
In The Travelers, one of a series of “Mother Paintings,” Marie-Louise Motesiczky depicts herself and her mother, Henrietta (the white-haired woman at right), escaping from Nazi-occupied Austria…
These were the marches of the Israelites who started out from the land of Egypt, troop by troop, in the charge of Moses and Aaron. Moses recorded the starting points of their various marches as…